2004  
Lambert, Emily, “Binary Art,” Forbes Magazine, 12 January 2004, S. 210.
2003
Yablonsky, Linda, “Art/Architecture; To Replace Paint and Page, Artists Try Pixel Power,” The New York Times, 17 August 2003.
Pollack, Barbara, “John F. Simon Jr. at Sandra Gering,” Art in America, January 2003.
2002
 Berwick, Carly, “Net Gains,” ARTnews, December 2002.
Kenyon, John, “Wall-to-Wall Art,” Iowa City Gazette, 10 October 2002, S. 1B, S. 5B.
Smith, Roberta, “A Profusion of Painting”, The New York Times, 10 May 2002.
Simon, John F., Jr., “Smock (Off the Wall)”, artist's project for Smock Magazine, Winter 2002.
Mirapaul, Mathew, “Getting Tangible Dollars for an Intangible Creation”, The New York Times, 18 February 2002.
Ippolito, Jon, “The Unknowable Object: John Simon's Unfolding Object”, www.guggenheim.org, Spring 2002, www.guggenheim.org/internetart/welcome.html.
Nappi, Maureen A., “Language, Memory and Volition: Toward an Aesthetics of Computer Arts”, Doctoral dissertation, 2002.
2001
 Atkins, Robert, “True to His Code”, Artbyte, July/August 2001, vol.4, no. 2, S. 39-43.
Delson, Susan, “If Picasso Were a Programmer”, Forbes.com, 25 June 2001.
Pollack, Barbara, “Simon Sells”, Art & Auction, June 2001, S. 79.
Rossbach, Janet B., “John F. Simon, Jr.: Computer Art as Fine Art”, Visual Arts Journal, Spring 2001.
Rosenbaum, Lee, “Tech Art: Boom or Bust?”, The Wall Street Journal, 6 April 2001, S. W14.
Berwick, Carly, “The New New-Media Blitz”, ARTnews, April 2001, S. 112-116.
Kimmelman, Michael, “’BitStreams’ and ‘Data Dynamics’: Creativity, Digitally Remastered”, The New York Times, March 23, 2001, S. E31.
Bodow, Steve, “The Whitney’s Digital Sampler”, New York Magazine, March 26, 2001, S.72-77.
Jana, Reena, “Restoring the Sistine Website”, www.wired.com, March 22, 2001.
Anton, Saul, “Net Gains: A Roundtable on New-Media Art,” a roundtable led by Saul Anton, Artforum, March 2001, S. 118-125.
Sonkin, Rebecca, “Icons of the Small Screen”, ARTnews, March 2001, S. 50.
Daniel, Jeff, “Digital exhibition taps into many media and traditions”, St. Louis Post Dispatch, February 11, 2001.
Breslin, Ramsay Bell, “Under the Digital Sun”, Eastbay Express, December 1, 2000.
Madoff, Steven Henry, “Is This the Museum of the Future?”, Talk Magazine, March 2001, S. 132-37.
Simon, John F., Jr., “Hot List,” Artforum, February 2001.
2000
 Rush, Michael, “New Media Rampant”, Art in America, July 2000, S. 43.
Korotkin, Joyce, “Review: John F. Simon, Jr. at Sandra Gering”, The New York Art World, May 2000, S. 9.
Pollock, Barbara, “On the Edge: Digital Evolution.”, ArtNews, April 2000, S. 142.
Princenthal, Nancy, “John Tremblay and John F. Simon, Jr. at Sandra Gering”, Art in America, April 2000, S. 154-55.
Hamilton, Anita, “Clicking on the Canvas: A new exhibit of Net art is good, strange fun”, Time Magazine, April 10, 2000, S. 129.
Miller-Keller, Andrea, “Varieties of Influence: Sol LeWitt and the Arts Community”, Sol LeWitt: A Retrospective, San Francisco Museum of Modern Art, 2000, S. 76.
Kleiner, Carolyn, “What’s the Whitney’s newest new thing?”, US News & World Report, March 27, 2000, S. 52.
Puente, Maria, “Pixel this: A museum exhibit with Web-only art”, USA Today, March 23, 2000, S. D1.
Jana, Reena, “Whitney Speaks: It Is Art”, Wired News Online, March 23, 2000, www.wirednews.com/news/culture/0.1284.35157-2.00.html.
Brandabur, Susan, “Internet Art Takes Off”, auctionwatch.com, March 17, 2000, www.auctionwatch.com/awdaily/dailynews/1-0317002.html.
1999
 Rush, Michael, New Media in Late 20th Century Art, Thames and Hudson, London, 1999, S. 193-194.
Weinbren, Grahame, “The PC is a Penguin,” essay in Bild-Medium-Kunst, edited by Yvonne Spielman and Gundolf Winter, Wilhelm Fink Verlag, Munich, 1999, S. 274-77.
Greene, Rachel, "eBay Watch", Artforum, November, 1999, S. 53.
Atkins, Robert, “State of the (On-line) Art,” Art in America, April 1999, S. 89-95.
1998
 Ippolito, Jon, “Cross Talk: Intellectual Property or Intellectual Polity?”, Artbyte, August/September 1998, vol. 1, no. 3, S. 19.
Ippolito, Jon, “Given: The Universe Shown: Every Artwork”, Deep Storage, exhibition catalogue from P.S.1 Contemporary Art Center, Prestel-Verlag, Munich/New York, 1998, S. 160-62.
1997
 Druckrey, Timothy, “Work and Display,” Art Forum, November 1997, S. 18.
Mirapaul, Matt, “In John Simon’s Work Everything is Possible,” The New York Times online, Arts@Large Column, 17 April 1997.
Pollack, Barbara, “Collecting On-Line: A Leap of Faith,” ArtNews, March 1997, S. 65.
Freyermuth, Von Gundolf S., “Kunst der Korperlosen,” Spiegel Special 3, 1997, S. 132-37
Simon, John F. Jr., “Alter Stats,” Parachute Magazine, January 1997, #85.
1996
 “Arts Projects: “Alter Stats”,” Intelligent Agent, September 1996, vol.1, no.5.
1995
 Rosati, Pavia, “http://www.headline.net/art,” World Art, 1995, vol.4, S. 54-57.
Atkins, Robert, “The Art World & I Go On Line,” Art in America, December 1995, S. 58-65.
1994
 Simon, John F. Jr., “Building Process,” Millennium Film Journal, Winter 1994, No.27, S. 37-45.
1991
 Simon, John F. Jr., “Are PC’s PC?,” 10.8 Magazine, Vol.2, No.2, 1991.
2004  
Lambert, Emily, “Binary Art,” Forbes Magazine, 12 January 2004, S. 210.
2003
Yablonsky, Linda, “Art/Architecture; To Replace Paint and Page, Artists Try Pixel Power,” The New York Times, 17 August 2003.
Pollack, Barbara, “John F. Simon Jr. at Sandra Gering,” Art in America, January 2003.
2002
 Berwick, Carly, “Net Gains,” ARTnews, December 2002.
Kenyon, John, “Wall-to-Wall Art,” Iowa City Gazette, 10 October 2002, S. 1B, S. 5B.
Smith, Roberta, “A Profusion of Painting”, The New York Times, 10 May 2002.
Simon, John F., Jr., “Smock (Off the Wall)”, artist's project for Smock Magazine, Winter 2002.
Mirapaul, Mathew, “Getting Tangible Dollars for an Intangible Creation”, The New York Times, 18 February 2002.
Ippolito, Jon, “The Unknowable Object: John Simon's Unfolding Object”, www.guggenheim.org, Spring 2002, www.guggenheim.org/internetart/welcome.html.
Nappi, Maureen A., “Language, Memory and Volition: Toward an Aesthetics of Computer Arts”, Doctoral dissertation, 2002.
2001
 Atkins, Robert, “True to His Code”, Artbyte, July/August 2001, vol.4, no. 2, S. 39-43.
Delson, Susan, “If Picasso Were a Programmer”, Forbes.com, 25 June 2001.
Pollack, Barbara, “Simon Sells”, Art & Auction, June 2001, S. 79.
Rossbach, Janet B., “John F. Simon, Jr.: Computer Art as Fine Art”, Visual Arts Journal, Spring 2001.
Rosenbaum, Lee, “Tech Art: Boom or Bust?”, The Wall Street Journal, 6 April 2001, S. W14.
Berwick, Carly, “The New New-Media Blitz”, ARTnews, April 2001, S. 112-116.
Kimmelman, Michael, “’BitStreams’ and ‘Data Dynamics’: Creativity, Digitally Remastered”, The New York Times, March 23, 2001, S. E31.
Bodow, Steve, “The Whitney’s Digital Sampler”, New York Magazine, March 26, 2001, S.72-77.
Jana, Reena, “Restoring the Sistine Website”, www.wired.com, March 22, 2001.
Anton, Saul, “Net Gains: A Roundtable on New-Media Art,” a roundtable led by Saul Anton, Artforum, March 2001, S. 118-125.
Sonkin, Rebecca, “Icons of the Small Screen”, ARTnews, March 2001, S. 50.
Daniel, Jeff, “Digital exhibition taps into many media and traditions”, St. Louis Post Dispatch, February 11, 2001.
Breslin, Ramsay Bell, “Under the Digital Sun”, Eastbay Express, December 1, 2000.
Madoff, Steven Henry, “Is This the Museum of the Future?”, Talk Magazine, March 2001, S. 132-37.
Simon, John F., Jr., “Hot List,” Artforum, February 2001.
2000
 Rush, Michael, “New Media Rampant”, Art in America, July 2000, S. 43.
Korotkin, Joyce, “Review: John F. Simon, Jr. at Sandra Gering”, The New York Art World, May 2000, S. 9.
Pollock, Barbara, “On the Edge: Digital Evolution.”, ArtNews, April 2000, S. 142.
Princenthal, Nancy, “John Tremblay and John F. Simon, Jr. at Sandra Gering”, Art in America, April 2000, S. 154-55.
Hamilton, Anita, “Clicking on the Canvas: A new exhibit of Net art is good, strange fun”, Time Magazine, April 10, 2000, S. 129.
Miller-Keller, Andrea, “Varieties of Influence: Sol LeWitt and the Arts Community”, Sol LeWitt: A Retrospective, San Francisco Museum of Modern Art, 2000, S. 76.
Kleiner, Carolyn, “What’s the Whitney’s newest new thing?”, US News & World Report, March 27, 2000, S. 52.
Puente, Maria, “Pixel this: A museum exhibit with Web-only art”, USA Today, March 23, 2000, S. D1.
Jana, Reena, “Whitney Speaks: It Is Art”, Wired News Online, March 23, 2000, www.wirednews.com/news/culture/0.1284.35157-2.00.html.
Brandabur, Susan, “Internet Art Takes Off”, auctionwatch.com, March 17, 2000, www.auctionwatch.com/awdaily/dailynews/1-0317002.html.
1999
 Rush, Michael, New Media in Late 20th Century Art, Thames and Hudson, London, 1999, S. 193-194.
Weinbren, Grahame, “The PC is a Penguin,” essay in Bild-Medium-Kunst, edited by Yvonne Spielman and Gundolf Winter, Wilhelm Fink Verlag, Munich, 1999, S. 274-77.
Greene, Rachel, "eBay Watch", Artforum, November, 1999, S. 53.
Atkins, Robert, “State of the (On-line) Art,” Art in America, April 1999, S. 89-95.
1998
 Ippolito, Jon, “Cross Talk: Intellectual Property or Intellectual Polity?”, Artbyte, August/September 1998, vol. 1, no. 3, S. 19.
Ippolito, Jon, “Given: The Universe Shown: Every Artwork”, Deep Storage, exhibition catalogue from P.S.1 Contemporary Art Center, Prestel-Verlag, Munich/New York, 1998, S. 160-62.
1997
 Druckrey, Timothy, “Work and Display,” Art Forum, November 1997, S. 18.
Mirapaul, Matt, “In John Simon’s Work Everything is Possible,” The New York Times online, Arts@Large Column, 17 April 1997.
Pollack, Barbara, “Collecting On-Line: A Leap of Faith,” ArtNews, March 1997, S. 65.
Freyermuth, Von Gundolf S., “Kunst der Korperlosen,” Spiegel Special 3, 1997, S. 132-37
Simon, John F. Jr., “Alter Stats,” Parachute Magazine, January 1997, #85.
1996
 “Arts Projects: “Alter Stats”,” Intelligent Agent, September 1996, vol.1, no.5.
1995
 Rosati, Pavia, “http://www.headline.net/art,” World Art, 1995, vol.4, S. 54-57.
Atkins, Robert, “The Art World & I Go On Line,” Art in America, December 1995, S. 58-65.
1994
 Simon, John F. Jr., “Building Process,” Millennium Film Journal, Winter 1994, No.27, S. 37-45.
1991
 Simon, John F. Jr., “Are PC’s PC?,” 10.8 Magazine, Vol.2, No.2, 1991.