2007    Royal College of Art. Control Print Royal College of Art, London 2007.
2006
 James Faure Walker Painting the Digital River Prentice Hall, New York 2006.
Bruce Wands Art of the Digital Age Thames & Hudson, London 2006.
1989
 Margot Lovejoy Postmodern Currents UMI Research Press, Ann Arbor 1989.
1987
 Cynthia Goodman Digital Visions Harry Abrams, New York 1987.
1985
 Mark Wilson Drawing with Computers Putnam, New York 1985.
Computer as Palette in The Christian Science Monitor, August 7, 1985, p. 23.
Computer Technology Replaces the Brush of the Artist in The New York Times, October 13, 1985.
A Portfolio in Perspectives in Computing. Vol. 5, No.2, Summer 1985, p. 39-40.
1983
 Computer Art for Art's Sake in PC Magazine, April 1983, p. 73-85.
Artist's Easel is His Computer Screen in Los Angeles Times, December 15, 1983, Part I-B, p. 10.
1978
 Frederick Brand and Rebecca Massie The Lewis Collection, The Virginia Museum, Richmond 1978.
2007    Royal College of Art. Control Print Royal College of Art, London 2007.
2006
 James Faure Walker Painting the Digital River Prentice Hall, New York 2006.
Bruce Wands Art of the Digital Age Thames & Hudson, London 2006.
1989
 Margot Lovejoy Postmodern Currents UMI Research Press, Ann Arbor 1989.
1987
 Cynthia Goodman Digital Visions Harry Abrams, New York 1987.
1985
 Mark Wilson Drawing with Computers Putnam, New York 1985.
Computer as Palette in The Christian Science Monitor, August 7, 1985, p. 23.
Computer Technology Replaces the Brush of the Artist in The New York Times, October 13, 1985.
A Portfolio in Perspectives in Computing. Vol. 5, No.2, Summer 1985, p. 39-40.
1983
 Computer Art for Art's Sake in PC Magazine, April 1983, p. 73-85.
Artist's Easel is His Computer Screen in Los Angeles Times, December 15, 1983, Part I-B, p. 10.
1978
 Frederick Brand and Rebecca Massie The Lewis Collection, The Virginia Museum, Richmond 1978.