Geboren 1929 in Western Pennsylvania,  USA
Lebt und arbeitet in Minneapolis, USA

AUSZEICHNUNGEN

2009	SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art, USA
1995	ARTEC '95, Recommendatory Prize, International Biennale, Nagoya, Japan
1994	Golden Plotter, First Prize, Gladbeck
1993	Prix Ars Electronica, Honorary Mention Genetic Art – Artificial Life, Österreich
1971+74	Outstanding Educators of America, USA
1970	Bush Leadership Fellow. MIT Center for Advanced Visual Studies, USA

EDUCATION

1970		Certificate of Completion, “Computer Concepts”, Control Data Institute, Minneapolis, USA
1969		Ekistics Seminar, Constantine Doxiadis, Athen
1962-63		Drucken, Hayter's Atelier 17, Paris
1961-62		Kunstgeschichte New York University und Columbia University
1961		MFA Pratt Institute, Brooklyn
1953-59		Theologie St Vincent Seminary, Latrobe, Pa.
1955		BA, Philosophy St Vincent College, Latrobe, Pa.
1949		Diplom Art Institute of Pittsburgh

SELECTED SOLO SHOWS

2010	ALGORITHMIC POETRY The Joy of Digital, Galerie [DAM]Berlin (6. Nov. 2010 - 22. Jan. 2011)
2007	Roman Verostko's Algorithmic Drawings, Nina Bliese Gallery, USA
2006 2001 1998 1995	Roman Verostko: Pearl Park Scriptures, [DAM]Berlin Roman Verostko: Algorithmic  Art,  Arizona State University, Tempe, Arizona, USA The Manchester Illuminated Universal Turing Machine, Metropolitain University, Manchester, UK Computer Generated Art, University of St. Thomas, St. Paul Minnesota, USA
1993	Recent Epigenetic Works, Richard Halonen Fine Arts, Limited, Minneapolis, USA
1989 1988 1985 1983	Pathways: 25 Years From Brush to Plotter, Honeywell Corporate Gallery, Minneapolis, USA (Februar) Pathways: Robotic Paintings and Drawings. Benedicta Arts Center, College of Saint Benedict, Minnesota, USA Arcadia: Minnesota in Four Seasons, Programmed sound & image, MCAD, Minneapolis, Minnesota, USA Magic Hand of Chance: four algorithmic sequences, John Scobee’s Computer Storefront, Minneapolis, USA
1973	Paintings, Drawings, Trajectory Gallery, London, Ontario
1972	Imaging the Unseen, Westlake Gallery, Minneapolis
1968	Paintings, Drawings, Westlake Gallery, Minneapolis
1967	Psalms in Sound and Image, Marymount Manhattan College, N.Y.
1965	Paintings & Drawings, Westmoreland County Museum of Art, Pennsylvania
1966	Paintings by Roman Verostko, Benedicta Arts Center, College of St. Benedict, Minnesota
1963	Paintings and Drawings, Maison Biermans-Lapôtre, Cité Universitaire, Paris

SELECTED GROUP SHOWS

2010		ThinkLine - Concept, Computer, Code, Drawing, [DAM]Cologne (4. Okt. - 7. Nov.)
2009		Digital Pioneers, Victoria & Albert Museum, London, UK (7. Dez. 2009 - 20. Juni 2010)
2008     2007		Imaging by Numbers: A Historical View of the Computer Print, The Block Museum of Art, Northwestern University, USA Feedback, Laboral Centro de Arte y Creación Industrial., Gijon, Spanien Art Show, SIGGRAPH Art Gallery, San Diego Convention Center, USA The Algorists, [DAM]Berlin
2006		20th Century Computer Art: Beginnings & Developments, Toma Art University Museum, Tokio, Japan Computerkunst / Computer Art 2006 (11th International), Innovationszentrum Wiesenbusch, Gladbeck Art Show,  SIGGRAPH Art Gallery, Boston, Massachusetts MCAD Faculty at the Minnetonka Center for the Arts THE ALGORISTS: Four Visual Artists in the Land of Newton, University of California, Santa Barbara Form und Raum, Computerkunst Actuel, Museen der Stadt Lüdenscheid Städtische Galerie, Lüdenscheid
2005		Art Show, SIGGRAPH Art Gallery, Los Angeles Convention Center Art Show, Los Angeles, CA Algorithmic Revolution: The history of interactive art, ZKM: Zentrum für Kunst und Medientechnologie
2004		Computerkunst / Computer Art 2004 (10th International), Museum der Stadt Gladbeck Contemporary Art & the Mathematica Instinct, University Art Museums, Marsh Art Gallery, University of Richmond, Virginia Art Show, SIGGRAPH 2004 Art Show, Los Angeles, CA
2003		Contemporary Art & the Mathematica Instinct, Tweed Museum of Art, University of Minnesota, Duluth Campus STATE OF THE ART: Maps, Stories, Games and Algorithms from Minnesota, Carlton Art Gallery, Carlton College, Northfield Minnesota CODE: THE LANGUAGE OF OUR TIME,  Ars Electronica, Brucknerhaus, Linz Art Show, SIGGRAPH 2003, Art Show, San Diego, CA ARTWARE2, PUCP Cultural Center, S. Isidro, El Ojo Ajeno Galería,  Lima, Perú
2002		Computerkunst/Computer Art 2002 (9th International) Innovationszentrum Wiesenbusch, Gladbeck Math and Art, Selby Gallery, Ringling School of Art and Design, 2700 N. Tamiami Trail, Sarasota, Florida, USA
2001 2000		Retrospective of Digital Art, London Guildhall University, London, UK The New York Digital Salon, Selected Works, The Corning Gallery at Steuben, New York, USA Algorithmic Fine Art, Computing Commons Gallery, Arizona State University Computerkunst/Computer Art 2000, Innovationszentrum Wiesenbusch, Gladbeck Through the Looking Glass, Beachwood Center,  Beachwood, Ohio Digitally Propelled Ideas,  W. Keith and Janet Kellogg Art Gallery. California State Polytechnic University, Pomona
1999		Ars (Dis)Symmetyrica '99, Ernst Museum, Budapest, Ungarn Southern Graphics Council Media Exhibition, Arizona State University Computing Commons Gallery Aesthetics + Artificial Life, Center for Digital Arts, University of California Computerkunst'98, Gladbeck; Öko-Werkstatt in der Finne, Saaleck; Sammlungen der Stadt Dresden
1998		The Digital Artist: Art, Abstraction and Algorithms, The Williams Gallery, Princeton, NJ Gallery of the Future, Under Construction, Loughborough, UK
1997		Fifth Annual New York Digital Salon, Visual Arts Museum, NY Art Show, SIGGRAPH '97 Art Show, August, Los Angeles, USA Traveling SIGGRAPH '97 Art Show, Fraunhofer-Institut, Germany; Living Arts Centre, Mississauga, Ontario; Sausalito Art Festival; The Art Institute of Houston, Texas; Saint Malo, France; Festival Quai des Bulles, Palais du Grand Large; Centre d'Animation de la Vallee "Salvador Allende"; George Mason University, Fairfax Virginia Digital perspectives, Ukranian Institute of Modern Art, Chicago A Bunch of Digital Art, The College of New Jersey, Trenton, USA
1996		Creativity & Cognition, LUTCHI, Loughborough, UK The New York Digital Salon, New York
1995		University of Vermont, Francis Colburn Gallery SIGGRAPH '95 Art Show, Los Angeles, USA (August) The New York Digital Salon, New York City ARTEC '95, International Biennial, Nagoya City Science Museum Elastic Visions, Zoller Gallery, Pennsylvania State University, University Park
1994		Digital Visions, Williams Gallery, Princeton, New Jersey Computer Art: Visual Adventures Beyond the Edge, Evansville Museum of Arts & Science, Indiana International Exhibition of Digital Art, Academy of Fine Arts & Design, Bratislava, Slowakei ISEA '94, Fifth International Symposium on Electronic Art, Helsinki, Finnland Computer Art 94, Gladbeck, Karlsruhe
1993		The New York Digital Salon, Art Directors Club, New York Genetische Kunst - Kunstliches Leben: Genetic Art - Artificial Life, Linz Digital Salon des Independents, Cyberspace Gallery & Los Angeles New Art Foundation, West Hollywood, Los Angeles Computer Art, Yeiser Art Center, Paducah, Ky. TISEA Traveling Show, Museums in Adelaide und Brisbane, Australien Electronic Media Show, Northern State University, Aberdeen, SD, USA
1992		Seoul International Computer Art Festival, Korea Third International Symposium on Electronic Art, Sydney, Australia SIGGRAPH '92 Art Show, Chicago, USA Imagina: Images Beyond Imagination, Digital Art Gallery, Institut National de L'Audiovisuel, Monte Carlo
1991		Dada-Data: Developing Medias Since 1970, Maryland Art Place & Fine Arts Gallery, Baltimore, Maryland. Interface, Art & Computer, Park Avenue Atrium, New York City El Art: International Exhibition of Electronic Art, Retretti Art Center, Finland Art & Algorithm - Mind & Machine, St. Sebastian Press Gallery, Minneapolis Fourth National Computer Art Invitational, Eastern Washington University SIGGRAPH '90 Art Show, Dallas; Computer Museum, Boston; Barcelona, Frankfurt
1989		The Technological Imagination: Machines in the Garden of Art, Intermedia Arts Minnesota and MCAD
1988		CRASH, Wright Museum of Art, Beloit Pathways: Robotic Paintings and Drawings, Benedicta Arts Center, College of Saint Benedict, St. Joseph, Minnesota
1986		Magic Hand of Chance, Centennial Version, 1986

PROJEKTE

2008	Upsidedown Book & Mural, Fed Rogers Center, Latrobe, Pa., USA (opening: 2 Aug)
2006	Mural, Flowers of Learning, Hortus Conclusus Nazarenus, Spalding University, Academic Learning Center, USA.
1996-97	Mural. Epigenesis: Growth of Form Science and Engineering Center, University of St. Thomas, St. Paul.
1982-90	ARCADIA: Minnesota in Four Seasons, ein audio-visuelles Programm; zahlreiche Ausstellungen, u. a.: MCAD 1982; University of Minnesota Landscape Arboretum (1983); Zhejiang Academy of Fine Arts, Hangzhou, PRC, 1985
1966-67	Permanent reinforced concrete cast relief created as a load-bearing wall, Archabbots Gesprächszimmer im neuen Kloster, St Vincent Archabbey, Latrobe, PA, USA

SAMMLUNGEN

Arizona State University, Tempe, Arizona.
Ars Electronica, Linz
College of St Benedict, St. Joseph, Minnesota.
Deluxe Gallery, London, UK
Duquesne University, Pittsburg, Pa.
Janssen Pharmaceutica Corp.
Minneapolis College of Art & Design.
Minneapolis Institute of Art.
Museum der Stadt Gladbeck, Gladbeck.
Pratt Institute, Brooklyn, NY.
Slovak National Gallery, Bratislava, Slowakei
St Vincent Archabbey, Latrobe, Pa.
St John’s Abbey, Collegeville, MN.
Tama Art University Museum, Tokio.
Tweed Museum of Art, Duluth Minnesota.
University of St. Thomas, St Paul Campus.
University of St. Thomas, Minneapolis Campus.
Victoria & Albert Museum, London, UK.
Walker Art Center, Minneapolis, Minnesota.
Yeiser Art Center, Paducah, Kentucky.
ZKM Museum, Zentrum fur Kunst und Medientechnologie, Karlsruhe

VERÖFFENTLICHUNGEN

2003 1999       1998	Epigenetic Art Revisited: Software as Genotype,  in Gerfried Stocker, Christine Schöpf and Ingrid Fischer Schreiber (ed.) Code: the language of our time,  Ars Electronica 2003, Hatje Cantz Verlag, Osterfilden-Ruit 2003, pp. 156-167. Art & Algorithm in China Fine Arts, Shanghai 1999, p. 14 & 15 Die Preisträger des Goldenen Plotters / The Prizewinners of the Golden Plotter, Algorithmic Art and the Artist in Computerkunst 2000, Gladbeck 1986-1998, pp.21 ff. Contemplating the Art Object in Cyberspace Culture in Computerkunst, Gladbeck 1998, pp.25-28.
1995	Notes on algorithm and art, Computer Graphics Proceedings in SIGGRAPH 95, Los Angeles 1995
1994	Notes on Algorithmic Art in ISEA '94 Catalogue. The Fifth International Symposium on Electronic Art, University of Art & Design, Helsinki, Finland, p.61.
1993	Introduction, Abstracts and Artists' Statements in Fourth International Symposium on Electronic Art, Minneapolis, 1993. Preface, Papers in Fourth International Symposium on Electronic Art, Minneapolis 1993.
1992	Art & Algorithm: Classical Traditions Revisited: 'ars sine scientia nihil' in Cultural Diversity in the Global Village, Australian Network for Art and Technology, Sidney 1992.
1991	Computer Illustrations by Roman Verostko for a limited, fine art edition of The Derivation of the Laws, a chapter from The Laws of Thought by George Boole, St. Sebastian Press, 1990. Also in paperback, February 1991.
1990	Epigenetic Painting: Software As Genotype, The New Art in Leonardo, Vol. 23 #1, January 1990. Writing The Score For Painting: Software As Art in Proceedings: Tenth Annual Symposium On Small Computers In The Arts, Philadelphia, 1990.
1986	A Rising Star: a report on the Chinese art academy, Prepared for the Education Bureau of the Ministry of Culture, The People's Republic of China, 1985. Teaching In A Chinese Art academy in Arts Magazine, January, 1986 (MIA Monthly).
1980	A Futures Outlook on the Role of Artists and Designers: Art as if People Mattered in Futurics: Quarterly of Futures Research, V.4, No.3/4, 1980, Pergamon Press N.Y./Oxford, pp.26ff.
1975	Quelques remarques sur l'Art et le Religion le Sacré et le profane in Art D'Église No.170, First Quarter 1975, Brughes, Belgium.
1972	Experience in Community - The New Art, Liturgical Arts, Vol 40, No 2, February 1972, pp 32 ff.
1968	Abstract Art and the Churchand other articles related to the "Ars Sacre" movement and Liturgical Art in The New Catholic Encyclopedia, McGraw Hill N.Y., 1968 The Celebration of Man in Jubilee v.15 #10 April 1968. The Fifteenth Station: The Celebration of the Marriage of Flesh and Spirit, Easter issue feature.
1962	Abstract Art and the Liturgy: Considerations from Gislebertus to Twentieth Century USA in Liturgical Arts, Vol 30, No 4, August 1962, pp 129 ff.

LEHRE

Current:	Professor Emeritus, Minneapolis College of Art & Design (since 1994)
2006	Advisory Board, International Symmetry Association (ISA).
1998-2002	International Advisor, Inter-society for Electronic Art (ISEA).
1992-96	Board Member, Inter-Society for Electronic Art (ISEA).
1992-93	Director, Fourth International Symposium on Electronic Art (FISEA '93), Minneapolis.
1985	Visiting Professor, Zhejiang Academy of Fine Arts, Hangzhou, PRC (renamed: China Art Academy).
1969-71	Humanities Consultant, The Tetra Corporation, Minneapolis.
1969	Participant, Ekistics Institute, Athens, Greece.
1994	Professor Emeritus.
1988-91	Chairman, Liberal Arts.
1979	Professor of Humanities.
1975-78	Academic Dean .
1968	Faculty, Minneapolis College of Art & Design, Minneapolis, Minnesota.
1963-68	Faculty, St. Vincent College, Latrobe, Pennsylvania.